The father of modern advertising, David Ogilvy, sold BILLIONS of dollars for some of the biggest brands in the world with his pen. His ad agency, Ogilvy & Mather, to this day, prints money for global brands like Coca-Cola, Audi, and Samsung. His frameworks are still revered by every major agency. And in 1955, he wrote a letter where he revealed every step of his creative process.

In case you're not familiar with Ogilvy's work, I'm including a couple of his best ads to give you a glimpse of his genius.

Ogilvy - Rolls Royce Ad

Ogilvy - Dove Ad

I swear these two ads make me want to take a bath in a Rolls Royce.

So how do you create work that is clever, creative, and effective — work that outlives you?

This is Ogilvy typing…

Dear Mr. Calt:

On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:

I have never written an advertisement in the office. Too many interruptions. I do all my writing at home.

1. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years.

2. I am helpless without research material—and the more “motivational” the better.

3. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client.

4. Before actually writing the copy, I write down every conceivable fact and selling idea. Then I get them organized and relate them to research and the copy platform.

5. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines.

6. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)

7. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts.

8. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy.

9. The next morning I get up early and edit the gush.

10. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)

11. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose.

Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility.

Yours sincerely,

D.O.

Love,

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